Published Jul 2, 2020

The Best Movies of 2020 … So Far

Sean Fennessey and Amanda Dobbins, joined by Adam Nayman, delve into the transformative impact of streaming and film festivals on 2020's cinematic landscape, emphasizing the power of subtle storytelling from directors like Eliza Hitman and Kelly Reichardt amidst a year of significant industry shifts.
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Episode Highlights

  • Subtle Storytelling

    The art of subtle storytelling in film is exemplified by directors like Eliza Hitman, whose work is characterized by a minimalist approach that focuses on the internal struggles of characters. highlights Hitman's ability to capture the essence of her characters without relying on traditional narrative techniques, creating a slow-burn experience that is both empathetic and riveting 1. adds that while Hitman's films may strip away spontaneous behavior, they offer a profound sense of realism and naturalism 1. This approach challenges the audience to engage deeply with the film's themes and characters.

       

    Director's Subtle Touch

    Directors like Kelly Reichardt are celebrated for their subtle touch, crafting films that are understated yet deeply impactful. praises Reichardt's ability to convey complex themes without overt formalism, making her work unmistakably unique 2. Amanda Dobbins3. These directors demonstrate that simplicity can be a powerful tool in cinema, allowing audiences to connect with the material on a deeper level.

       

    Simplicity and Impact

    Simple yet impactful storytelling techniques can create memorable cinematic experiences, as seen in films like "The Half of It" and "On the Record." discusses how viewing experiences can shape our perception of a film's quality, emphasizing the importance of context in storytelling 4. highlights the significance of untold stories, such as those in "On the Record," which shed light on the music industry's history and the survivors' perspectives 5. These films prove that simplicity in narrative can lead to profound and lasting impressions on audiences.

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