Published Nov 13, 2008

[Unedited] Studs Terkel with Krista Tippett

Krista Tippett and Studs Terkel dive into the transformative power of art as a form of faith, the intricate dance between belief and despair, and the profound reflections on life and mortality, offering a tapestry of storytelling that connects the ordinary with the extraordinary.
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Episode Highlights

  • Faith & Despair

    Studs Terkel explores the complex relationship between faith and despair, suggesting that faith can emerge from both hope and desperation. He acknowledges the solace faith provides, especially to those who are agnostic, and the envy they might feel towards believers who find comfort in their beliefs. Terkel notes, "Faith comes out of hope. It also comes out of despair," highlighting the dual nature of faith as both a refuge and a response to life's challenges. This duality is evident in the lives of those he interviewed, who, despite their doubts, continue to find possibilities within themselves and others 1 2.

       

    Religion & Society

    Religion's role in society is multifaceted, influencing both personal lives and broader cultural dynamics. Terkel, an agnostic, observes that religion often intertwines with faith, providing solace and community, especially in African American communities where the church has been a pivotal social center. He reflects on how religion is woven into people's reflections, noting, "Faith is used, of course, in phony terms," yet it remains a powerful force in people's lives, often tied to cultural and societal contexts 2 1.

       

    Afterlife Contemplation

    Terkel's contemplation of the afterlife reveals his agnostic perspective, focusing on the significance of this life rather than what comes after. He shares his personal wishes for his ashes to be scattered at Bughouse Square, a place of personal significance, symbolizing his belief in the importance of life lived. Terkel states, "I myself don't believe in any afterlife. I do believe in this life," emphasizing the value he places on the present and the legacy one leaves behind 3 4.

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