Published Jul 5, 2023

Movies Are Stuck in an Endless IP Loop. Plus, 'The Idol' Finale

Chris Ryan and Andy Greenwald delve into the film industry's stagnation in an endless cycle of intellectual property reboots, contemplating how AI, nostalgia, and the DIY artistic movement challenge originality. They critically analyze the chaotic narratives and artistic risks facing contemporary movie-making, alongside reflections on 'The Idol' finale.
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Episode Highlights

  • Artistic Risks

    In the realm of contemporary filmmaking, bold artistic choices often lead to polarizing outcomes. and discuss how some films, despite their high budgets, fail to deliver unique experiences, citing the example of the Lord of the Rings series as being "100% mid" despite its massive investment 1. They argue that it's preferable for artists to take risks, even if they result in mistakes, rather than conforming to safe, formulaic productions. This sentiment is echoed in their discussion of the film industry, where market forces and brand influences often overshadow genuine creativity 2.

    I'd rather see artists make a mistake. I don't think the people involved think it's a mistake, but I'd rather see people do something like that.

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    The duo emphasizes that the true challenge lies in balancing artistic integrity with commercial viability.

       

    Storytelling Challenges

    Creating compelling narratives in film and television is fraught with challenges, as and explore through the lens of the show 'The Idol'. They highlight the chaotic storytelling and lack of coherence, which leaves audiences confused about character motivations and plot developments 3. The show attempts to portray a pop star as a master manipulator, yet fails to provide a clear narrative, resulting in a disjointed viewing experience.

    I actually couldn't tell what was real. It's chaos.

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    Moreover, they critique the show's attempt to be provocative, suggesting it ultimately falls short by not delivering a meaningful or brave commentary on the music industry 4. This reflects a broader issue in storytelling where the pursuit of shock value often overshadows substance.

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